Enmore Audio is a world class analog and digital recording studio based in the heart of Sydney's inner west. In 2016 the site started publishing both short and long form articles about the people and gear behind the music. The three room space was designed by luminary acoustician and studio designer John Sayers. Our isolated 'dead' room as well as our live rooms are ideal production, mixing and mastering environments.


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The Stable is our dead room which is home to a few of our amps, the Fender Rhodes and our Yamaha U3 upright piano. It’s perfect for vocals, amps and tight drums.


The Kitchen is our main control room and has a flat response down to very low frequencies. It comfortably fits several people and houses the majority of Enmore Audio’s outboard gear. It’s also home to our main soffit mounted monitors as well as our near fields.


The Garden is our largest and most versatile live room. It holds our A-100 Hammond as well as our 1970’s re-issue Ludwig drum kit. It’s big enough to record small ensembles and has enough outputs to accommodate most live recording requirements.




From work-shopping songs, experimenting with sounds, fleshing out arrangements through to suggesting session players and artist collaborations as well as balls-to-the-wall Steve Albini style band recordings, we’re passionate about conceptually contributing to every project we help produce.


We take a flexible and creative approach to mixing that prioritises originality and sonic quality. From gentle EQ and compression through to a complete re-think of a track, the studio is equipped to handle sessions large or small and help realise your material’s full potential.


The role of mastering in the process of production is frequently misunderstood, and underestimated. We have the tools, experience and the expertise to provide a finished mastered product for a wide range of media platforms. It is often desirable to hand over a complete product to an artist at the end of a recording session and that is goal with every session.


Anthology XI from Eventide Captures 45 Years of Innovation in One Bundle

| Audio, Gear, Mixing, News, Production, Recording | No Comments

Eventide have announced the Anthology XI bundle, which encapsulates the company’s adventures in effects which spans more than four decades.   Eventide’s Anthology XI contains effects, reverb, the Clockworks legacy…

Billy Corgan’s Monster Fuzz: Electro-Harmonix Reveals the Op-Amp Big Muff Pi Reissue

| Gear, Guitar, News, Recording, Uncategorized | No Comments

Electro-Harmonix have unveiled the Op-Amp Big Muff Pi Reissue. They’ve been collaborating with Billy Corgan on the project, who made an legend of the original version on the seminal Smashing…

The New FM Player App from AudioKit Pro Dishes up Lush DX7 Tones For Free

| Audio, Gear, News, Production, Recording, Synths | No Comments

Developer AudioKit Pro has given the world FM Player: a deep and characterful FM synth emulation app for iOS. You can download it for free now.   The FM Player…

Two New Apps are Welcomed to the Ableton Link Family

| Audio, Gear, Mixing, News, Production, Recording | No Comments

Two more pieces of software have been added to the growing list of Ableton Link enabled apps.   Beat Detect and Remixvideo are two diverse new apps that have a…

The Quiet Giant: New Book Explores The Unique Genius of Leo Fender

| Audio, Gear, Guitar, News | No Comments

Leo Fender: The Quiet Giant Heard Around the World is a new book that lends a new perspective on the quiet genius of Leo Fender – the guitar icon who changed…

Prog rock 60s

A Tidal Wave of Change: Behind the Scenes of Progressive Rock in the 60s

| Audio, Gear, Production, Recording | No Comments

If the 1950s was the dawn of rock ‘n’ roll, then the ‘60s were dedicated to advancement in the form of a tidal wave known as “progressive rock.” In a…

MPC 60

In Praise of the AKAI MPC: a Hip-Hop Time Machine

| Audio, Gear, Production, Recording | No Comments

In its youth, hip hop was fundamentally street music, formed at block parties in New York City in the 1970s, where all you needed was a beat. Creating a dance…

blood suger sex magik

Engineering the Sound: Red Hot Chili Peppers’ ‘Blood Sugar Sex Magik’

| Articles, Production, Recording | No Comments

Founded in 1983, Red Hot Chili Peppers’ original line-up featured vocalist Anthony Kiedis, bassist Flea, drummer Jack Irons and guitarist Hillel Slovak and was heavily centred on frat-rock roots tinged…



UA Apollo 16
Allen & Heath Mix Wizard
Alesis 9R
Presonus Monitor Station
Presonus Faderport


Mackie HR-824
Genelec 8020C
Sony SS-H7


Phoenix DRS-8
2 x UA-6176
2 x Groove Tubes Brick
UA Apollo 8p


Moog MF-104M Analog Delay
Moog MF-102 Ring Modulator
Moog MF-107 Freq Box
Korg Koass Pad
TC Helicon Voice Live


UAD-2 Quad Core
Waves Mercury
Soundtoys 5
Arturia V Collection
FXpansion BFD3
Celemony Melodyne
Spectrasonics Trilian


Mac Pro 3.5 GHz 6-Core
Intel Xeon E5 with 16 GM RAM


Otari MTR-10 (2 track)
Marantz PMD101
Tascam MK414
Revox A77


2 x UA-6176
DBX 160A
Analogman mini bi-comp


Neumann M-147
Neumann KMS-105
Royer R-121
Sennheiser e906
2 x Sennheiser MD 421
2 x Oktava MK-102
2 x Shure SM58
2 x Shure SM57
2 x Rode NT5
AT4050 Urushi
Beyerdynamic M88 TG
Electrovoice RE20
AKG D112
Shure SM7B


Yamaha U3 Piano
Fender Rhodes 73
Mustang Reed Organ
Hammond A-100
Schoenhut Toy Piano
Suzuki Andes


Sequential Circuits Prophet 6
Korg Microkorg XL
Nord Stage V2
Critter & Guitari Pocket Piano
Yamaha Motif ES
Casio VL-1


Fender Deluxe Reverb
Fender Vibro Champ
Ivan Richards Custom
Orange Terror Bass


If you have a question or would like to book a session please get in touch with Radi or Dan:

(02) 9519 4866
radi@enmoreaudio.com or dan@enmoreaudio.com
29 Liberty Street Enmore NSW 2042 Australia

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